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1. GORO MIYAZAKI MOVIES HOW TO
2. GORO MIYAZAKI MOVIES FULL
3. GORO MIYAZAKI MOVIES SERIES
4. GORO MIYAZAKI MOVIES TV

The film's backgrounds are more lush and detailed than the character models, but that's because Ghibli artists drew those by hand, before digitizing and adding some CG elements, according to a Kotaku interview with Goro Miyazaki. There's an attempt at artistry, but it's bungled by poor storytelling and an amateurish approach to CG. I wouldn't go that far to describe Earwig and the Witch. I strongly feel that this is an insult to life itself." I would never wish to incorporate this technology into my work at all. If you really want to make creepy stuff, you can go ahead and do it. "Whoever created this has no idea what pain is whatsoever," he said, after recounting a story of a disabled friend. And there's a good chance you've seen his brutal takedown of AI-driven animation, following a demo of a creepy zombie creature from the Dwango AI Laboratory. She's less a " genki girl" and more a kid who's focused on manipulating others towards her own ends.Įven after working on a CG short ( Boro the Caterpillar), Hayao Miyazaki has never warmed up to CG films as a medium. Aside from the animation quality, Earwig herself is bit of a bratty bore, with none of the charm from Ghibli's usual plucky heroines. After being adopted by an old witch and a mysterious warlock, she starts to learn more about herself and her magical powers. The film follows a young girl, Earwig, who was left at an orphanage as an infant, and grew up to be a rambunctious kid who controls everyone around her. (That's especially damning since music is supposed to play a central role in the story!) And even though it's adapted from a Dianna Wynne Jones novel, the narrative feels incomplete, as if Miyazaki ran out of time and money before he had to ship a final cut. The music, composed by Satoshi Takebe, is mostly forgettable, far from what we've come to expect from Ghibli regular Joe Hisaishi. It lacks the magic of a typical Ghibli entry on almost every level: The CG character animation is stiff and lifeless, with facial expressions that wouldn't be out of place in a cheaply produced children's YouTube video. That’s why bringing her to life was a process of empathizing with her.Directed by Goro Miyazaki, son of Hayao, Earwig is an ugly, half-baked film filled with unlikable characters. So I can understand how she feels as she lives her daily life, like being sick of the mundane and redundant everyday routines, complicated relationships, unlikeable clients, and cheeky youngsters (lol). What about animating Bella Yaga the witch - what discussions went into bringing her to life?īella Yaga is a character closer to my age than Earwig. In the end, I realized that there is no clear answer to this challenge. When I speak of the mood, it’s not merely the art style but the emotional feeling that the film itself brings.

GORO MIYAZAKI MOVIES HOW TO

The biggest challenge for me is how to use 3D CG animation to create the mood of hand-drawn animation that I have become accustomed to and loved from a young age. What challenges were posed in using that medium? That way, you can get to know the true nature of the character. I am not breathing life into her but instead holding the camera to spend the same time with the character.

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I feel this way every time I create, be it a film or a TV series. The process of bringing a character to life with animation is to travel the world with the character.

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That was when Toshio Suzuki said, ‘If you’re going to make in CG, it has to be in full 3D CG, right?’ I wavered whether to do it in full 3D CG or cel-shading because the latter has a deep-rooted popularity in Japan, and there are not many instances of domestic 3D CG films succeeding.

GORO MIYAZAKI MOVIES SERIES

That is because I saw the possibilities of CG animation when I worked on the TV series “Ronja, the Robber’s Daughter.” I had decided at the beginning that this film will be in CG. When did you decide you were going to use 3D CG? She doesn’t fit the mold of a good girl - instead, you can call her a bad girl - but that’s what made Earwig fascinating. She manipulates the witch, learns magic, and tries to fulfill her wish. It tells the story of a girl adopted by a witch who slaved away doing chores, drowning in sorrow, and waiting for a prince to save her. Hayao Miyazaki and Toshio Suzuki handed me the book “Earwig and the Witch” and suggested making a film based on it.